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Jane's
socialite mother, Frances Seymour Brokaw (Henry Fonda's
second of five wives), committed suicide in October 1950,
when Jane was 12 years old. Henry married actress Susan
Blanchard eight months later, and throughout their six-year
marriage, Blanchard helped to raise Jane and her brother.
With her father, Jane made her acting debut in a 1954 stage
production of The Country Girl. She attended Vassar College
for two years until 1958, when her father introduced her
to his neighbor, renowned acting coach Lee Strasberg. Jane
became Strasberg's student at the Actors Studio in Malibu,
California, and she paid for her acting lessons through
modeling. Fonda made her screen debut in Tall Story (1960),
opposite Anthony Perkins. In 1962, she appeared in several
films, including Walk on the Wild Side (1962), also featuring
Barbara Stanwyck and Anne Baxter.
 
Soon after, Fonda met and fell in love with French director
Roger Vadim, who cast her in Circle of Love (1964). Vadim
and Fonda were married in 1965, the same year she appeared
in the title role of the Western comedy Cat Ballou, opposite
Lee Marvin (who won both a Golden Globe and an Oscar for
his work). In 1966, she appeared in Arthur Penn's The Chase,
with Robert Redford, Marlon Brando, and Angie Dickinson;
and The Game is Over, also directed by Vadim. In 1967, she
teamed up again with Redford in the romantic comedy Barefoot
in the Park, featuring Mildred Natwick in an Oscar-winning
supporting role. In 1968, Fonda starred in the cult-favorite
Barbarella, a science fiction film directed by Vadim, in
which she played a superheroine determined to save the world
from evil destruction. Dismayed by her image as a cartoonish
sex symbol, Fonda began selecting more serious film roles,
while at the same time, supporting heartfelt political issues.
In 1969, she starred in Sydney Pollack's Depression-era
drama They Shoot Horses, Don't They?, a film for which she
received her first Oscar nomination. (Pollack was also nominated
for Best Director, and costar Gig Young earned an Academy
Award for Best Actor). In her next film, Alan J. Pakula's
Klute (1971), also starring Donald Sutherland, Fonda received
her first Academy Award.
Her next major success came in 1977 when she won a Golden
Globe for Best Actress and an Oscar nomination for her portrayal
of writer Lillian Hellman in Julia. The film also starred
Vanessa Redgrave and Jason Robards in Oscar winning supporting
roles.
The next year, she won her second Oscar for Best Actress
in Hal Ashby's war drama Coming Home (1978), costarring
Jon Voight (who also won a Best Actor Oscar for his performance).
In 1979, she starred opposite Jack Lemmon in The China Syndrome,
a film for which both Fonda and Lemmon received Academy
Award and Golden Globe nominations. In 1980, Fonda teamed
up with Dolly Parton and Lily Tomlin in the box office hit
Nine to Five, a revenge comedy about sexism in the workplace,
costarring Dabney Coleman. Coleman also appeared in Fonda's
next, and perhaps most personal work, On Golden Pond (1981).
Jane starred opposite her father in the last film before
his death in August 1982. Henry Fonda and Katharine Hepburn
both won Oscars for their highly acclaimed lead performances
as an aging married couple, and Jane was nominated for both
an Academy Award and a Golden Globe for her supporting role
as their troubled daughter. Fonda won an Emmy Award for
her portrayal of Gertie Nevels, a poor Southern woman, in
the television movie The Dollmaker (1984).
Her next notable performance came as the psychiatrist Dr.
Martha Livingston in Norman Jewison's Oscar-nominated film
Agnes of God (1985), also starring Meg Tilly and Anne Bancroft.
The
next year Fonda gave an Oscar-nominated performance as an
alcoholic woman involved in a murder in Sidney Lumet's suspense
thriller The Morning After (1986), costarring Jeff Bridges
and Raul Julia. A long-time fitness enthusiast, Fonda released
an enormously popular workout book and video, Jane Fonda's
Workout, in 1982. The video launched an aerobics craze,
and Fonda kept pace with numerous exercise videos throughout
the '80s and '90s. Fonda has championed political causes
throughout her life, from supporting the Black Panthers
and protesting the United States involvement in the Vietnam
War, to speaking out on equal rights for women. Her actions
have sometimes been perceived as unpatriotic, such as when,
in 1972, she broadcast antiwar sentiments from Hanoi, Vietnam.
During this trip, she also posed in an anti-aircraft carrier
so that it appeared as though she was shooting at American
planes-a political stunt for which she earned the nickname
"Hanoi Jane" and received enormous criticism from conservative
nationalists. She apologized many years later, remorsefully
telling O magazine in June 2000 that, "It was the most horrible
thing I could possibly have done." In March 2001, Fonda
donated $12.5 million to Harvard University's School of
Education, the largest donation in the school's history.
Fonda designated the money to create a center on gender
and education studies. In a statement she said, "We still
have a culture that teaches girls and boys a distorted view
of what it takes to be women and men." Fonda's marriage
to Roger Vadim in 1965 produced
one daughter.
The couple divorced in 1970.
Her marriage to Tom Hayden in 1973 lasted until 1989, and
together they had one son. In 1991, Fonda married media
mogul Ted Turner. After nine years of marriage, the couple
announced their separation in early 2000. Fonda filed for
divorce in April 2001, and the split was finalized the following
month.
Further sources:
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